REBECCA HAWKES

Phyllodes Reveries

               I.

In the dream the doctors let me
perform the surgery myself. I doubled 

my chin, peered down at skin that opened
to the scalpel without bleeding. The picture   

blurred. Bad watercolour. Ferny murk, unfurling.
Arteries illumed the ultrasound to feed 

a tumour named for leaves. Lymphatic fruit.
What was it I lifted from myself? Smooth stone 

pearl-firm, luminous like a pigeon's lone-
some egg. I closed my fist around its warmth 

and woke. Which experts now will tell me
whether the node hardened inside my breast 

may hold some long-neglected itch
or else a new wet-feathered form of life? 

The chipping of its beak 
a measure of my heartbeat. 

 

               II.

Nobody wants to be a nature poet.
I get it. Sometimes it can be hard to love   

the grass. Pasture blades make my legs itch. Pollen 
plugs the sinuses. My aging body is of little interest 

to the ants. Woodpeckers ignore me in their diligence.
So much for all those years outdoors, ensorcelled 

with my wand of herbicide. Heirloom toxins
spraying rainbows downwind through the meadows 

of my days. My motorcycle's thrum as much the music
as bees in the embattled thistledown, the wild  

stonefruits erupting from mouthed cores
tossed to the underbrush. Below the overalls, 

wrists daubed with nectar, petrol, poison. Lonely
with weeds, I rested in the shade of wilding pines 

gathering dark needles in my boots. Waiting
on the biopsy, I set down roots from my bare feet. 

And while I write, the smallest fly 
parts fine lashes to taste the water from my eyes. 

 

               III.

They still make scalpels from obsidian. Pray
for a steady handed volcano. Under black glass 

I'll peach-cleave, loose my stone. The budded plumule
hidden in the pit. This is the first year I've been born 

in summer. I'd turn my dark hair red before 
I let it fall. How else could I be this deciduous? 

 

               IV.

Eventually when I die of whatever, everyone
I've liked will have to live double forever.
 

               V.

My love and I watch birds under the bridge
building their solstice nests from clay and spit. 

We've invented a whole new way to kiss.
It is the same. It's new because it's now. 

My singing mouth is packed with dirt
and seeds. I build a house of these and blow it down. 

Rebecca Hawkes is a painter-poet from a farm near Methven. Her full-length collection is Meat Lovers (Auckland University Press, 2022), and her chapbooks are Softcore Coldsores (AUP New poets 5, 2019) and Hardcore Pastorals (Cordite, 2021). She is a co-editor of Sweet Mammalian and the climate poetics anthology No Other Place To Stand (AUP, 2022). Rebecca is currently topsy-turvy between hemispheres studying an MFA in yearning (and, to a lesser extent, poetry) at the University of Michigan.

Hawkes comments: 'Writing this helped me through a time of uncertainty and fear, waiting on the biopsy after a weird feeling then an exam then a scan then a "that's weird, we'd better get a closer look in there" and so on and on. When things change in the body, it's worth getting checked! And if anyone's looking for follow-up after dwelling in the crisis of this poem, I'm lucky to have had good care, and things have turned out peachy after a lumpectomy.'

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​Links

Rebecca Hawkes's website

 

Photographer credit: Ebony Lamb