HAROLD COUTTS
poems about boys
my first order of business in this poem
is to discuss how i want to stop writing
poems about boys:
it felt aimless and painful to be entered the last
my asshole is no odeum for a performance
churned forth from loneliness
dancing among the boys again and
abiding disregard from the masses is
a hurtling of bones; ceremonial over parapets
falling is an art-form if you wink on the way down.
my eyelid is working overtime
i’m going to throw up my arms and say,
‘what’s the point?’ to my reflection for four hours;
the last time a boy made me feel anything
was when i listened to sophie by goodshirt
a week ago. pressed replay on the footpath
and the wind grabbed my hand
a more romantic act than forced flowers
can’t believe togetherness comes from alcohol
and still learned loneliness. kissing in the moonlight
because we miss the touch. now i want to
scour my skin of you
my second order of business in this poem
is to actually discuss how i want to stop writing
poems about boys:
i am immortalising those who wrong me
and those who i have wronged. it holds a sourness
to my lips and parts them like a gate
sucking dick only does so much for the psyche
but my, have i flown. until i find a love that stains
my skin, stubborn around each arm hair, i will stop.
the moon will hawk a name at my feet
and then i will write again
Harold Coutts was born in Nelson but lives in Wellington. They write poetry and is currently working on what they hope to be their debut novel. They have a self-published collection of poetry called fissures in flowers, and several poems and short stories across Re-Draft, Starling, Several Hundred Fools, and Poetry New Zealand Yearbook.
Coutts comments: ‘this poem took a long time to write. i had a few lines for months, but nothing i put around them seemed good enough. i spent a while thinking about boys i’ve seen, and how i found myself writing terrible poetry about them. i found it annoyed me to no end. why should i be spending so much time on these shitty men, when i could be writing about anything else? and so i found the tone. a lot of the lines were inspired by true events, and it was just a manner of slotting them in a way that felt correct. the last stanza is a continuance of my annoyance at myself, as i realised i’d ironically just written two other stanzas about boys again. funny how that happens.’
Photographer credit: Maddie Christie