DAVID BEACH
Wellington Zoo
38
The zoo was a place of boxes within
boxes, particularly at feeding
time—and while a keeper strewed fruit and
vegetables about the baboon enclosure,
the troop, thirty or more, close-confined in
a holding pen, were demonstrating an
eagerness to exit which suggested
that ‘to go from a smaller to a larger
box’ could stand as a definition of
freedom—and the rush out, too, a glorious
casting off of shackles, no less for
the scramble for the food, understood
as the looting hardly to be avoided
immediately after liberation.
39
The ostrich, on the hunt for bugs, appeared
out to earn the epithet ‘the poor
zoo’s elephant’, its neck a worthy
alternative marvel to the trunk, such
strength and flexibility shown as the
no-nonsense killer delivered rapid-
action, bunker-busting pecks, the slaughter
upon the bug population so grievous
that for an adequate comparison one
might feel drawn to whales and their plankton
eating, even while coming to the view
that with the ground at the birds’ feet a
perpetual smorgasbord the economic
case for ostriches was unassailable.
42
However essential a part of a
zoo’s charter keeping the animals well-
nourished, this could diminish the spectacle
at feeding time, as was being made clear by
a dingo, sleek, obviously never needed
to hunt a day in its life, which seemed
ready to disappoint for ever the
small crowd waiting to watch it tuck into
a hair, hide and all slab of meat, and only
at last closing its jaws upon the meal
to move it to another spot, from where
the dingo favouring its audience with
an unruffled grin that suggested its
hunting skills still present, just sublimated.
43
The lion was chomping away upon a
rather wretchedly small carcass, a rabbit’s
possibly, which however still needed
a bit of effort—when, its jaws open,
working to reduce some knotty portion,
what appeared to be an eye peeped out from
the fearsome maw—and a spectator could
but identify with an eye—and so
(more than just a caged animal prompting
reflections on how humans are constrained)
be confronted by the cage of human
mortality—as, thunderous purring
the soundtrack to oblivion, for a
few moments longer the light, then nothing.
44
Zoo staff were comforting (and restraining)
the distraught parents. Beyond dispute,
a sign clearly warned that if you fed the
animals you would be fed to the
animals. Major beneficiaries of
this policy—and morale seemingly quite
restored after the damage done it by
installation of a ‘close encounters’
window—the lions were roaring lustily
in front of the (packed) observation
chamber. Two keepers seized the boy, ready to
swing him over the rail. ‘I won’t feed the
animals any more,’ he hollered, a quite
transparent lie in the circumstances.
David Beach lives in Wellington. He has written four collections of sonnets, all published by Victoria University Press. He is currently working on a fifth collection.
Beach comments: ‘A zoo sequence obviously needs some poems with animals eating. But when, towards the end of the sequence, I came to write this group of poems, I never seemed to be able to get to the enclosures at feeding time. And the animals generally just seemed to lose their appetite at the sight of me. The sonnet about the dingo and how it teases the spectators by refusing to start its meal, rather sums up the state of mind I was put in, wandering about the zoo muttering under my breath ‘Eat, damn you, eat’.
‘And the baboon sonnet actually stems from a scene from one of my first visits to the zoo. Then when, to refresh my memory, a couple of times I tried to catch the baboons at feeding time again, of course I failed – probably just as well, with imperfect recollection quite a good substitute for imagination.’